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Old 07-28-2006, 06:51 PM
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Re: What brought you to Jamaica???

part two !!

Female sex tourism is nothing new. It was reported in the late 1840s, when an Englishwoman went to Rome to take a lover. But in recent years it has grown in popularity. These days the women who participate are more likely to be single professionals than bored Shirley Valentine housewives. With females staying single longer and rising divorce rates, these holidays are expected to explode in popularity in the years ahead. Consequently they are the subject of a sudden flurry of books, films and plays examining the motivations of women who travel for sex, love and affection.
Earlier this month Heading South, a thought-provoking French film about a single 55-year-old sex tourist in Seventies Haiti, opened to rave reviews. Starring Charlotte Rampling, it tells the story of a disenchanted English professor who finds a new, more rewarding passion in the bodies of young black men which, she discovers, can be bought for sums trifling to the affluent. In the film Rampling's character Ellen observes: 'If you're over 40 and not as dumb as a fashion model, the only guys who are interested are natural-born losers or husbands whose wives are cheating on them.'

At the beginning of next month the Royal Court theatre in London, never afraid of controversy, will go nearer the knuckle than ever when it stages Sugar Mummies. Lynda Bellingham, the Oxo Mum who became the wholesome face of family values in TV commercials, plays one of four middle-aged women who visit Jamaica to sample male prostitutes. There is lots and lots of sex.

Before it has even opened, the play has ignited a heated debate about the rights and wrongs of female sex tourism: is it harmless fun, a mutually beneficial business transaction? Or is it exploitation and, if so, who is the victim and who is the perpetrator - the women who fall for declarations of true love or the mostly poor, underemployed men who make them? What makes it different from male sex tourism, which is normally seen as sleazy and abhorrent? And is it, as many critics argue, perpetuating the racist myth of the hyper-sexual black man?


end of part two
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